8 Best A3 Photo Printer | 13×19 Prints Without the Fuss

Our readers keep the lights on and the charging cables organized. As an Amazon Associate, I earn from qualifying purchases.

Specs are compiled from manufacturer listings and verified buyer reviews and can change over time — please confirm the key details on the product page before buying.

The difference between a wide-format machine that keeps producing clean 13×19 inch prints for years and one that clogs the moment you skip a week is mostly down to two things: the ink system and the print head. This guide walks you through both, plus which models actually hold up under real use.

I’m Mo Maruf — the founder and writer behind The Tools Trunk. This guide is built by comparing the manufacturers’ published specifications and the patterns across verified customer reviews, so you get each pick’s real strengths and trade-offs instead of marketing spin.

You do not need a lab to make prints worth framing, but you do need to know which specs separate a workhorse from a headache. This breakdown of the best a3 photo printer covers ink types, paper handling, and the maintenance habits that keep colors rich.

Our Picks at a Glance

Canon imagePROGRAF PRO-1100: 17” Professional Wireless Inkjet Photo Printer
Best OverallCanon imagePROGRAF PRO-1100: 17” Professional Wireless Inkjet Photo Printer4.4★80 ratingsEleven pigment inks and a gloss optimizer turn a spare room into a print studio. The PRO-1100 is the one to buy if your prints need to look like they came from a gallery.Check Price on Amazon
Canon PIXMA PRO-200S Professional 13' Wireless Inkjet Photo Printer, 3' Color LCD, 8-Color Dye Ink, Black
Top PerformerCanon PIXMA PRO-200S Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 8-Color Dye Ink, Black4.2★224 ratingsAn eight-ink engine that fires out a bordered A3+ print in about 90 seconds. If you want wide-format output without waiting around, this is the fastest pick here — and the gap is stark.Check Price on Amazon
Canon PIXMA PRO-100 Professional Photo Printer
Best for Black and WhiteCanon PIXMA PRO-100 Professional Photo Printer4.0★111 ratingsTwo separate paper paths let this old workhorse take everything from thin sheets to heavy watercolor stock. The Pro9000 Mark II earns its place through paper versatility.Check Price on Amazon

How To Choose The Best A3 Photo Printer

You want to print a full-bleed 11×17 poster, a 13×19 fine-art piece, or a borderless 4×6 without switching equipment. An A3 photo printer (also called a 13×19 inch or wide-format printer) is a machine built to output sheets up to 13 inches on the short edge. That size is the whole point. What separates a good one from a frustrating one depends on four decisions.

Ink type: pigment versus dye

Pigment inks sit on top of the paper and tend to resist fading and water better; dye inks soak in and often produce more vivid, saturated color. Neither is universally better — it depends on whether you print frequently or sporadically. A printer that sits idle for weeks is more prone to clogging with pigment ink, which is why many home users lean toward dye-based machines.

How many ink colors you actually need

More ink channels usually means smoother gradients and better black-and-white prints. A six-color system adds red and gray for wider color range and cleaner monochrome. An eight-color system (with dedicated gray and light-gray tanks) is the step up that matters most if you print black-and-white portraits or fine-art reproductions where subtle tonal shifts are visible.

Paper handling and tray capacity

Look at how the printer feeds thick stock. A rear feed or front feeder for heavy-weight paper handles cardstock and fine-art sheets without jamming. A separate photo tray keeps your glossy paper loaded while plain paper stays in the main cassette — so you are not swapping sheets every time you switch between a document and a print.

Resolutions and color depth

Print resolution, measured in dpi (dots per inch), tells you how fine the printed detail can go — higher numbers mean sharper edge definition on small text and fine textures. Color depth, measured in bits, describes how many distinct shades the printer can distinguish, which affects how smoothly colors blend across a gradient.

Quick Comparison

Model Best For Ink System Max Print Size Functions Amazon
Canon imagePROGRAF PRO-1100★ Best Overall Gallery-grade fine art and large prints 11 pigment inks + Chroma Optimizer 17 x 25 inches Print only Amazon
Epson Expression Photo HD XP-15000 Desk-friendly 13×19 printing on a budget 6-color Claria Photo HD inks 13 x 19 inches Print only Amazon

In‑Depth Reviews

★ Best Overall

1. Canon imagePROGRAF PRO-1100: 17” Professional Wireless Inkjet Photo Printer

Our pick — over 4★ from 80+ verified ratings; the strongest balance of quality and price.

11 Pigment InksChroma Optimizer

Eleven pigment inks and a gloss optimizer turn a spare room into a print studio.

The PRO-1100 is the one to buy if your prints need to look like they came from a gallery. Its LUCIA PRO II ink system runs eleven pigment-based inks, and the included Chroma Optimizer lays down a clear coat over the print surface. In plain terms, that clear coat flattens the reflective sheen and widens the color range, so dark tones stay deep instead of going muddy. The engine also processes large image files quickly, and an air-feeding system keeps paper from skewing as it enters — accurate ink placement is the direct result.

What wins people over is the print quality itself. Owners describe realistic, vibrant images and prints they expect to outlast them, and praise the air-feeding paper path for handling thick stock without banding. Ink cost is the second most-discussed positive — a pleasant surprise for a pigment machine. Each ink tank holds 80mL, and the print head is replaceable, which owners note saves money compared to sealed-head designs. Because the head is user-replaceable, a clog does not scrap the machine.

The honest catch is speed and setup. Full-color output runs slowly, and the companion app frustrates some owners — the review pages literally sum it up with a buyer who reinstalled the app five times before giving up on checking ink levels wirelessly. Plan to drive it from a desktop and manage ink through the driver instead. The other reality is footprint and weight: this is a large machine, so measure your table before it arrives, not after.

What earns the top spot

  • Eleven pigment inks plus Chroma Optimizer for flat gloss and wide color range
  • Replaceable print head means a long serviceable life
  • 80mL tanks per color reduce how often you swap ink
  • Anti-clogging print head design and air-feeding paper path for fewer misfeeds

Where it asks for patience

  • Slow output — full-color prints take a few minutes each
  • Large and heavy; it needs a dedicated surface
  • The companion app is unreliable for wireless ink checks

Reach for this if: You print fine-art or large-format work where color accuracy and archival life justify a serious investment.

Look elsewhere if: You want fast document printing or a compact machine that lives on a small desk.

Top Performer

2. Canon PIXMA PRO-200S Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 8-Color Dye Ink, Black

8 Dye Inks3″ Color LCD

An eight-ink engine that fires out a bordered A3+ print in about 90 seconds.

If you want wide-format output without waiting around, this is the fastest pick here — and the gap is stark. A bordered A3+ sheet takes roughly 90 seconds, and a bordered 8×10 finishes in 53 seconds. Compare that to the imagePROGzen, which changes how freely you print. The transparent tanks also let you see exactly how much ink is left without guessing.

What owners love most is the print quality, with setup close behind — the machine is genuinely easy to get running, and the six Claria ET Premium inks produce rich color and sharp detail. The scanner and copier round it out into a true all-in-one, and a large color LCD plus straightforward wireless printing from multiple devices make it pleasant to live with. It handles photography, crafts, and documents without complaint.

There is one recurring mechanical gripe worth knowing: a spring in the paper tray can fail to lift the stack, triggering false “out of paper” or “paper jam” messages. It is fixable, but it is the kind of thing that makes you reach for the manual. Some owners also find the auto tray selection unreliable and just choose the tray manually. Beyond that, the reliability picture is genuinely mixed — most units run beautifully, but a minority report random failures, which is worth knowing before you commit.

Money-saving strengths

  • Refillable ink bottles cost cents per photo, not dollars
  • Up to 6,200 color pages of printing from the box
  • Print, copy, and scan in one wide-format machine
  • Easy setup and intuitive wireless printing from phones and laptops

Things to be ready for

  • A tray spring can fail and cause false paper-error messages
  • Auto tray selection is unreliable — pick your tray manually
  • Reported reliability is mixed across the user base

Best for: Photographers and crafters who print often and want ink costs to stop being the deciding factor in every print job.

skip it if: You print rarely and prefer set-and-forget hardware over occasional troubleshooting.

Best for Black and White

3. Canon PIXMA PRO-100 Professional Photo Printer

8 Dye Inks3 Grayscale Inks

Two separate paper paths let this old workhorse take everything from thin sheets to heavy watercolor stock.

The Pro9000 Mark II earns its place through paper versatility. Two independent feed paths handle both standard sheets and thick fine-art stock, with a front feeder built for heavy-weight papers. That means a sheet of watercolor paper feeds as cleanly as a glossy photo sheet. Its 4,800 x 2,400 dpi FINE print head (dots per inch — a measure of how much detail the print head can lay down) delivers sharp details. A built-in ambient light correction feature adjusts color output to match the lighting you specified — useful when a print needs to look right in a specific room.

The eight-ink dye setup earned a devoted following. Owners describe the dye output as indistinguishable from lab prints, with no ink bleeding on heavy textured paper. Reliability tracks well over long stretches of heavy daily use — the printer quality and print quality categories dominate the feedback on this machine, both overwhelmingly positive. For a machine this age to still draw that kind of praise from photographers says a lot about the build.

The genuine compromise is print speed. At one page per minute on both color and black-and-white, it is the slowest pick here. It also carries a large footprint — though the trays fold away, which helps when it is not in use. And those same reviews that rave about quality note that heavy use can eventually clog the print heads, so keep a maintenance habit going. Run it regularly, keep the heads clean, and this is a remarkably capable machine for the money.

Why owners keep it

  • Two paper paths including a front feeder for heavy-weight stock
  • Eight dye inks for vivid color and crisp black-and-white
  • Ambient light correction tunes output to your viewing environment
  • Long-term reliability confirmed by years of heavy-use feedback

What to accept

  • Very slow — one page per minute in both modes
  • Large physical footprint, though trays fold in
  • Print heads can clog under heavy use without regular maintenance

Suits you if: You print on a wide range of media and want a proven machine that handles thick fine-art paper without drama.

Pass on this if: Speed is a priority or you have limited desk space.

Pigment Pick

4. Epson Stylus Photo R2000 Wireless Wide-Format Color Inkjet Printer (C11CB35201)

UltraChrome Hi-Gloss 2Roll Papting

A 13×19 printer that fits on a desktop and keeps the price of entry low.

The XP-15000 is the smallest way into true 13×19 printing. It is built compact — roughly 30 percent smaller than the model it replaced — so it sits on a desk rather than demanding its own table. Six Claria Photo HD inks include red and gray for a wide color range and cleaner black-and-white work, and it prints borderless from 4×6 all the way up to 13×19. A 50-sheet rear tray takes specialty media including cardstock, and a 200-sheet front tray handles plain-paper jobs with auto two-sided document printing.

On speed it is genuinely quick — 20 pages per minute in both black-and-white and color, against the imagePROGRAF PRO-1100’s single page per minute. Setup is easy by practically every account, and the output, when the machine is behaving, is beautiful: colorful, bold, and clean, with the extra gray and red inks giving noticeably professional color. It even quietly reaches 49 dB(A) while printing, which is on the quiet end for a wide-format machine. Dash Replenishment can auto-order ink when supplies run low, if you enable it.

Here is the part you need to know. Reliability and running cost are the two recurring concerns on this model, and the feedback is genuinely split. Many customers note flawless prints and years of use; others hit ink cartridges that deplete fast, prints that degrade over time, and service issues — one long-term account describes intermittent printing, persistent print lines, and blank sheets within about eight months of low-use printing. Because it uses individual cartridges rather than a tank system, the ink bills also add up quickly. That makes this a strong first wide-format printer for occasional use, and a riskier pick if you rely on it for paid work.

Reasons it appeals

  • True 13×19 borderless printing in a compact, desktop-friendly body
  • Fast 20 pages-per-minute output in both color and black-and-white
  • Six inks including red and gray for wide color range and clean monochrome
  • Rear specialty tray plus a 200-sheet front tray with auto duplex

Reasons to pause

  • Reliability feedback is genuinely mixed over time
  • Individual cartridges deplete quickly, driving up ink costs
  • Not the machine to stake a paid print business on

A sensible starting point if: You want genuine 13×19 photo printing at home on a smaller budget and print occasionally rather than daily.

Step up instead if: You need dependable output for clients — a tank or pigment machine will serve you better over the long run.

Understanding the Specs

Pigment vs. Dye Ink

Pigment inks are made of solid color particles suspended in liquid — they sit on the paper surface and tend to resist fading and moisture. Dye inks dissolve completely into the liquid and soak into the paper, producing more vivid, saturated color. The practical rule: pigment printers push fine-art and archival work, while dye printers push punchy everyday photos and handle being left idle better. If you print in bursts with long gaps in between, a dye machine is usually the lower-maintenance choice.

dpi and Color Depth

Print resolution in dpi (dots per inch) sets how finely the print head can place detail — higher numbers mean sharper small text and finer texture. Color depth in bits describes how many distinct shades the printer can distinguish and blend, which affects how smoothly gradients transition. A 48-bit color depth means the printer can work with a huge range of tonal values, so skin tones and sky gradients come out without visible stepping.

Individual Ink Tanks vs. Cartridges

Individual tanks let you replace only the color that runs dry, which keeps costs down when one channel depletes faster than the rest. Cartridge systems bundle colors together and can force you to replace inks that still have life left. Tank printers (like the refillable EcoTank design) take it further by using bottles you pour in yourself — dramatically cheaper per print, but a larger upfront machine.

Paper Feed Paths

A rear feed or front feeder is designed for thick, heavy stock like cardstock, canvas, and fine-art paper — these paths keep the sheet flatter through the print head. A standard top-load cassette handles plain paper. Printers with both let you leave your photo paper loaded while keeping documents ready, and they are the difference between a smooth print run and constant paper-jam frustration.

FAQ

What is the difference between A3 and A3+ photo printing?
A3 is a standard paper size, and A3+ is slightly larger — the format many wide-format printers accept as their maximum. The Canon PIXMA PRO-200S, for instance, produces a bordered A3+ print in about 90 seconds, while the Epson Expression Photo HD XP-15000 handles borderless printing from 4×6 up to 13×19. Checking the exact maximum size in the spec sheet matters, because “A3 capable” printers vary in how much extra edge they can handle.
Will a 13×19 printer fit on a standard desk?
Some will and some will not. The Epson Expression Photo HD XP-15000 is built compact — roughly 30 percent smaller than its predecessor — so it fits on a desktop. The Canon imagePROGRAF PRO-1100, by contrast, is a large, heavy machine that owners describe as weighing 75-80 lbs and needing its own surface. Always measure your available space against the published dimensions before ordering, especially if the printer will share a desk with a computer.
How often should I print to stop the print head from clogging?
The safe habit is to run at least one print every week or so. Print heads can dry out when a machine sits unused, and that is a recurring theme in owner feedback on dye printers like the Canon PIXMA PRO-100. If you know you will print rarely, a printer with built-in anti-clogging design — like the Canon imagePROGRAF PRO-1100, which uses a FINE print head with precise ink ejection control — will give you more leeway between sessions.
Are refillable tank printers actually cheaper to run than cartridge printers?
Yes, by a wide margin. The Epson EcoTank Photo ET-8550 uses refillable ink bottles and is rated for up to 6,200 color pages from the box, and each replacement bottle set is equivalent to roughly 100 individual ink cartridges. Over hundreds of prints that adds up fast. The trade-off is a higher upfront machine and, in real-world use, a few reported quirks — like the tray-spring issue some owners hit — so buying a tank printer means accepting a different maintenance pattern.
Do I need pigment ink or dye ink for my photos?
It depends on your priorities. Pigment inks — like the Epson Stylus Photo R2000’s UltraChrome Hi-Gloss 2 set — are built for longevity, with restoration-quality color reproduction owners note holds up over the long term. Dye inks produce more vivid, saturated results and are less prone to clogging when used irregularly. For prints that must survive decades on a wall, pigment is the safer bet. If you want eye-popping color for prints you will handle and frame, dye often looks better out of the gate.
Can a wide-format printer handle fine-art paper and canvas?
Only if it has a suitable feed path and thickness support. The Epson Stylus Photo R2000 accepts canvas, board up to 1.3mm thick, and roll paper up to 13 inches wide. The Canon PIXMA Pro9000 Mark II uses two separate paper paths including a front feeder designed for heavy-weight stock. A printer without a dedicated thick-media path — such as the Epson Expression Photo XP-980, which lacks a rear specialty feed — will struggle with very heavy fine-art paper.
How long should a wide-format photo printer last?
A well-maintained pigment or dye printer should serve for many years, and a replaceable print head is what decides whether a clog ends it. On the Canon imagePROGRAF PRO-1100 the head is user-replaceable, which owners note saves money compared to sealed-head designs where a clogged head can end the machine’s life. On older models like the Canon PIXMA Pro9000 Mark II, print heads can clog under heavy use and need cleaning or replacement — so the maintenance habit matters more than the spec sheet.
Can I print borderless on these printers?
Yes — borderless printing is standard on most wide-format photo printers, though the smallest size varies. The Canon PIXMA PRO-200S prints borderless from 3.5×3.5 inches up to 13×19. The Epson Expression Photo HD XP-15000 handles borderless from 4×6 to 13×19. One practical tip from owners: use the manual feed path for borderless prints on thick or coated paper, since the standard cassette can misalign heavy stock.
Is a 6-color printer enough for professional work?
For a lot of professional work, yes — six inks including red and gray widen the color range and clean up black-and-white output noticeably. But if your work is heavy on smooth gradients and deep, rich blacks, an eight- or eleven-ink system gives you finer control. The Canon imagePROGRAF PRO-1100’s eleven-ink setup (with Chroma Optimizer) is designed for gallery-grade output, while the Canon PIXMA PRO-100 dedicates three of its eight inks purely to grayscale — the key difference for tonal work.

Final Thoughts: The Verdict

If you want one dependable pick, the a3 photo printer winner is the Canon imagePROGRAF PRO-1100 because its eleven-ink pigment system and replaceable print head deliver gallery-quality output that holds up for years — and it sits at the top of the pile for both print quality and long-term value. If you want speed and vivid color without a steep learning curve, grab the Canon PIXMA PRO-200S. And for high-volume printing where ink cost is the deciding factor, the Epson EcoTank Photo ET-8550 is the one to reach for. Whichever you pick, print something every week — that habit protects your investment more than any spec sheet.

How We Picked

We do not accept paid placement. Every pick is matched to a real buyer and a real use-case; we do not hands-on test units.

Sources & Methodology

Specifications: manufacturer listings and product documentation. Review insights: verified customer reviews, as of September 2026. Pricing: not shown on this page (it changes often); check the current price via the retailer link.

As an Amazon Associate, The Tools Trunk earns from qualifying purchases. This does not affect which products we feature.

Related Guides

Please use a real email you check. If it's fake or mistyped, your message won't reach us and we can't reply — wrong addresses are rejected automatically.