Your couple expects sharp, emotional frames from the first look to the last dance — and a slow camera body or unreliable autofocus can ruin a once-in-a-lifetime moment faster than a dead flash. Wedding photography demands fast burst rates, dual card slots for redundancy, and a sensor that handles dim reception halls without turning skin tones muddy. The wrong pick leaves you swapping lenses during the first kiss or wrestling with buffer lag during the cake cut.
I’m Mo Maruf — the founder and writer behind The Tools Trunk. I’ve spent over 800 hours cross-referencing sensor readout speeds, phase-detect point density, buffer depths, and in-body stabilization performance specifically for event photographers, isolating what actually delivers under the pressure of a live ceremony.
Whether you are upgrading from a crop-sensor body or building a professional kit from scratch, this guide breaks down the real-world strengths of each model so you can confidently choose the right camera to shoot weddings without second-guessing specs that matter.
How To Choose The Best Camera To Shoot Weddings
Wedding photography is a live event with zero retakes. Your camera must handle rapid focus changes from a moving bride down the aisle to a static ring shot, and it must survive a 10-hour day without overheating or filling the buffer. Three factors separate a reliable wedding body from a casual walkaround camera.
Autofocus coverage and subject tracking
The number of phase-detection points matters less than how the algorithm holds onto a face or eye when the subject turns. Wedding shooters need reliable human eye detection that works at f/1.4 and does not hunt in candlelit churches. Models with dedicated AI processors — like Canon’s Dual Pixel CMOS AF II or Sony’s Real-time Eye AF — give you the highest keeper rate from the procession to the exit.
Dual card slots and media flexibility
One card failure on a wedding day can erase an entire reception. A camera with two slots — preferably one CFexpress or XQD for speed plus a UHS-II SD — lets you write in simultaneous backup mode. Never shoot a paid event with a single-slot body, no matter how good the sensor is.
Buffer depth and burst speed
During the bouquet toss or first kiss, you may need 10–20 continuous frames without the camera locking up. A deep buffer (50+ raw files at 10 fps) is the difference between capturing the perfect expression and waiting for the camera to catch up. Also check the write-back speed: a UHS-II or CFexpress card slot clears the buffer faster between bursts.
Quick Comparison
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| Model | Category | Best For | Key Spec | Amazon |
|---|---|---|---|---|
| Canon EOS R5 | Mirrorless | High-res detail & 8K backup | 45MP / 20 fps electronic | Amazon |
| Sony FE 28-70mm F2 GM | Standard Zoom | Event zoom versatility | F2 constant aperture | Amazon |
| Canon EOS R6 Mark II | Mirrorless | Blazing AF & low-light | 40 fps / 24.2MP | Amazon |
| Sony Alpha 7 IV | Mirrorless | Hybrid stills & video | 33MP / 693 phase points | Amazon |
| Nikon Z 7II | Mirrorless | Crop-heavy composition | 45.7MP / 493 AF points | Amazon |
| Panasonic LUMIX S5IIX | Mirrorless | Unlimited video & streaming | 24.2MP / 779 phase points | Amazon |
| Sony FX30 Cinema Line | Cinema | Cinematic video & S-Cinetone | 20.1MP / dual base ISO | Amazon |
| Nikon Z 6II | Mirrorless | Balanced full-frame value | 24.5MP / 273 AF points | Amazon |
| Leica Q2 | Compact | Street-style detail shooter | 47MP / 28mm f/1.7 | Amazon |
| Nikon D500 | DSLR | Fast-action & sports stills | 20.9MP / 153 AF points | Amazon |
| Nikon D7500 Bundle | DSLR | Entry-level kit with two lenses | 20.9MP / 51 AF points | Amazon |
| Canon 5D Mark IV Renewed | DSLR | Budget full-frame DSLR | 30.4MP / 61 AF points | Amazon |
| Fujifilm X-T30 III | Mirrorless | Compact travel & film sims | 26.1MP / 425 points | Amazon |
In‑Depth Reviews
1. Canon EOS R5 Mirrorless Camera with RF24-105mm F4 L IS USM Lens Kit
The R5 sits at the top for good reason: a 45MP full-frame CMOS sensor paired with the DIGIC X processor delivers immense cropping room — you can reframe a wide establishing shot into a tight portrait of the couple and still have print-worthy sharpness. The Dual Pixel CMOS AF II covers the entire frame with 1,053 zones, and the eye-detection algorithm locks onto the subject even when a veil partially obscures the face.
During a fast-paced reception, the 20 fps electronic shutter ensures you never miss the bouquet toss or the garter slide, and the dual card slot setup (CFexpress Type B plus SD UHS-II) allows simultaneous backup recording for client peace of mind. The 8K video capability gives you the option to pull 33MP stills from footage, a useful trick for unpredictable ceremony angles.
The IBIS works in concert with RF lenses to deliver up to 8 stops of stabilization, letting you shoot the first dance handheld at 1/15 sec without blur. Battery life is the clear weakness — expect around 320 shots per charge on the LP-E6NH, so a battery grip and three spare cells are mandatory for a full wedding day.
What works
- 45MP sensor allows massive cropping without quality loss
- Dual Pixel CMOS AF II locks onto eyes even through partial obstructions
- Dual card slots with simultaneous recording for backup safety
- IBIS keeps handheld shots sharp in dim reception light
What doesn’t
- Battery life is poor — requires a battery grip for a full wedding day
- 8K video can trigger overheating in warm indoor venues
- RF lens ecosystem is still expanding compared to EF
2. Sony FE 28-70mm F2 GM Standard Zoom Lens
This lens is not a camera body, but it deserves a slot because it is the single most versatile standard zoom ever built for wedding shooters — a constant F2 across the 28-70mm range means you can shoot an entire ceremony and reception on one lens without swapping. The optical design uses three XA (extreme aspherical) elements that deliver edge-to-edge sharpness rivaling primes, and the bokeh from the 11-blade iris produces smooth, non- onion-ring out-of-focus highlights.
Four XD linear motors drive focus fast enough to keep up with the 120 fps burst of the Sony A9 III, and the floating focus mechanism allows close focusing down to 0.38 m. For an event photographer, this eliminates the lens-changing gap between shooting the bride’s detail shots and capturing the full altar scene.
It weighs 918 grams, which is lightweight compared to the Canon F2 equivalent, and the Nano AR Coating II suppresses flare when you shoot backlit window portraits. The trade-off is the high investment, but this lens effectively replaces a 24mm f/1.4, 35mm f/1.4, 50mm f/1.4, and 85mm f/1.4 in your bag.
What works
- Constant F2 aperture provides two stops more light than F2.8 zooms
- Optical performance matches prime lenses across the zoom range
- Fast XD linear motors track subjects even during high-speed bursts
- 11-blade iris produces natural, spherical bokeh
What doesn’t
- High price point puts it out of reach for most beginners
- 28mm wide end is not as wide as a 24-70mm for tight indoor spaces
- No optical stabilization — relies on body IBIS
3. Canon EOS R6 Mark II Mirrorless Camera (Body Only)
The R6 Mark II is a 24.2MP body that prioritizes speed, burst performance, and low-light confidence above raw resolution. It shoots up to 40 fps with the electronic shutter and 12 fps mechanical, which covers everything from the ring exchange to the dance floor action. The Dual Pixel CMOS AF II adds new subject categories including horses and trains, but for weddings, the human head/face/eye detection is the most reliable system Canon has shipped.
In dim reception environments, the expanded ISO range of 100-102,400 with DIGIC X processing keeps noise minimal. The 8-stop IBIS stabilization lets you lock the dance floor at 1/8 sec handheld, and the 6K oversampled 4K 60p video provides a second revenue stream for clients who want highlight reels. The vari-angle touch screen works well for low-angle shots of the cake table.
The dual UHS-II SD slots support simultaneous backup recording, so you never have to worry about card failure on a paid job. Battery life is noticeably better than the R5 — you can get around 500 shots per LP-E6NH — and the body is weather-sealed against dust and light rain.
What works
- 40 fps electronic burst captures fleeting expressions reliably
- Excellent low-light performance at ISO 12,800 and above
- 8-stop IBIS stabilizes handheld video and stills effectively
- Dual UHS-II SD slots with simultaneous backup
What doesn’t
- 24.2MP limits aggressive cropping compared to 45MP competitors
- Electronic viewfinder lags slightly at 120 fps during fast panning
- Lacks CFexpress slot for deeper burst buffers
4. Sony Alpha 7 IV Full-Frame Mirrorless Camera
The A7 IV sits between the R6 Mark II and the R5 in resolution at 33MP with the Exmor R back-illuminated sensor and the BIONZ XR processor. It hits the sweet spot for wedding work: enough resolution for large prints and crops, but smaller file sizes than 45MP, which keeps card writing and post-processing faster. The 693 phase-detection points cover 94% of the sensor area, and Real-time Eye AF for humans works in both photo and video modes effortlessly.
During the ceremony, 7K oversampled 4K 30p video gives you clean footage for highlight reels, and the 4K 60p mode still uses the full width with a slight crop. The S-Cinetone color profile delivers beautiful skin tones straight out of camera, reducing grading time. The dual card slots accept CFexpress Type A and SD UHS-II, giving you flexible workflow options.
The ergonomics suit long days — the deeper grip and well-placed dials let you adjust exposure without taking your eye off the viewfinder. Battery life is robust at around 500 shots per charge, and the USB-C port supports power delivery so you can run a dummy battery for all-day studio work.
What works
- 33MP sensor provides ideal balance between resolution and file size
- Real-time Eye AF is consistent for moving subjects in dim light
- S-Cinetone delivers pleasing skin tones without heavy grading
- Good battery life with USB-C power delivery support
What doesn’t
- 4K 60p uses a Super 35 crop, reducing wide-angle coverage
- Burst speed at 10 fps feels limited compared to Canon competitors
- CFexpress Type A cards are less common and more expensive
5. Nikon Z 7II Full-Frame Mirrorless Camera
The Z 7II is built for detail — its 45.7MP BSI CMOS sensor allows you to shoot a wide group shot of the bridal party and then crop down to an individual portrait with enough resolution for a large album print. The 493 phase-detect points cover the sensor diagonally, and the improved AF algorithm over the original Z 7 provides more reliable human eye detection in lower light.
The dual card slots combine one CFexpress/XQD with one UHS-II SD, giving you speed for large burst buffers and flexibility to use common SD media. The 3.3x larger buffer than the Z 7 means you can fire off 77 uncompressed raws before slowdown. The in-body stabilization works with adapted F-mount lenses as well, so your existing Nikon glass retains vibration reduction.
For detail-rich shots like the bouquet, rings, and dress texture, the 45.7MP sensor gives you file depth that survives heavy sharpening and tone mapping. The vertical battery grip option extends shooting time for marathon wedding days. The trade-off is large file sizes that require fast CFexpress cards and a computer built for heavy editing.
What works
- 45.7MP sensor enables aggressive cropping for composition flexibility
- Dual card slots with CFexpress speed and SD convenience
- Improved AF tracking over the original Z 7 for human subjects
- In-body stabilization works with adapted F-mount lenses
What doesn’t
- Large raw files demand fast media and a powerful editing rig
- Burst speed at 10 fps is modest for fast action sequences
- AF system still lags behind Canon Dual Pixel in low-light acquisition
6. Panasonic LUMIX S5IIX Full-Frame Mirrorless Camera with Dual Lenses
The S5IIX brings a built-in cooling fan into a full-frame body, which means unlimited 4K 60p recording and no overheating risk on hot summer weddings. The Phase Hybrid AF system uses 779 phase-detect points combined with contrast detection, marking a huge leap over older Panasonic cameras that struggled with continuous tracking. For wedding shooters who also produce highlight videos, this is the most reliable hybrid option at this tier.
It records 5.8K ProRes internally and supports RAW over HDMI, giving you professional-grade color flexibility in post. The kit includes a 20-60mm f/3.5-5.6 and a 50mm f/1.8, covering the wide-to-short telephoto range needed for most ceremony shots out of the box. The 14+ stop V-Log capture preserves highlight and shadow detail for advanced grading.
The IBIS is among the best in class — Panasonic’s Active I.S. smooths walking shots noticeably better than Sony or Nikon, which helps during gimbal-less reception walkthroughs. Dual SD UHS-II card slots support simultaneous backup, and the USB-C port allows constant power for all-day livestreaming.
What works
- Built-in fan allows unlimited recording without overheating
- 5.8K ProRes internal recording for professional video workflows
- Active I.S. delivers class-leading stabilization for walking shots
- Phase Hybrid AF is a significant upgrade over previous LUMIX bodies
What doesn’t
- Larger body compared to compact Sony and Canon mirrorless options
- L-mount lens selection is smaller than Sony E or Canon RF
- Kit lenses have variable apertures that struggle in very dim light
7. Sony Cinema Line FX30 Super 35 Camera
The FX30 packs Sony’s Cinema Line technology into an APS-C body at roughly half the cost of the FX3. It uses the Super 35 format with 20.1MP and a dual base ISO of 800/2500, giving you clean low-light images at higher ISOs. For a wedding shooter who prioritizes video deliverables — these all-important highlight reels and cinematic teasers — this body delivers S-Cinetone color science directly out of the camera without complex grading.
The 14+ stop dynamic range covers the wide brightness jump from a shaded altar to a sunlit outdoor ceremony. Four built-in microphones with active cooling prevent audio and sensor overheating during long toasts and speeches. The FX30 records 6K oversampled 4K 60p internally, and the full-size HDMI port ensures reliable monitoring during live ceremony recording.
Autofocus coverage uses 495 phase-detection points, and Sony’s catalog of E-mount lenses includes excellent APS-C options like the 15mm f/1.4 G for wide ceremony shots. The body is compact enough to mount on a gimbal for steady processional coverage. Battery life is the primary downside — expect about 1–2 hours of continuous recording, so a battery grip or external battery pack is necessary.
What works
- S-Cinetone delivers cinematic color without grading
- Dual base ISO provides clean imagery at higher sensitivity levels
- Active cooling prevents overheating during long video sessions
- Full-size HDMI port ensures robust external monitoring
What doesn’t
- APS-C sensor means less background separation than full-frame options
- Battery life is short for all-day wedding coverage
- Not optimized for high-resolution stills at 20.1MP
8. Nikon Z 6II Full-Frame Mirrorless Camera
The Z 6II is a well-rounded full-frame mirrorless body that excels in low light thanks to the 24.5MP BSI sensor. It shoots up to 14 fps which is adequate for most wedding action, and the 273 phase-detection points cover a broad area of the frame. The dual card slot design — one CFexpress/XQD and one UHS-II SD — is the same smart approach as the Z 7II, letting you use high-speed media for burst work and SD for overflow.
In practice, the in-body stabilization works well with adapted F-mount lenses via the FTZ adapter, so shooters upgrading from a Nikon DSLR can keep their best glass. The 4K 60p video uses the full pixel readout without crop, useful for gimbal-based B-roll of the venue and reception details. The USB-C port supports continuous power for long event days.
The autofocus is good but not class-leading — it can occasionally lose tracking on a fast-moving subject like a dancer performing during the reception. The buffer depth is 3.5x better than the original Z 6, allowing about 50 raw frames before slowdown. For a mid-range entry into full-frame mirrorless wedding work, this is a dependable choice.
What works
- Excellent low-light performance with BSI sensor at high ISO
- Dual card slots provide speed and flexibility
- USB-C constant power supports extended shooting days
- IBIS works well with both Z and F-mount lenses
What doesn’t
- AF tracking can lose fast-moving subjects in tricky lighting
- Only 14 fps burst is noticeably slower than Canon R6 Mark II
- EVF and rear screen resolution feels dated compared to newer competitors
9. Leica Q2 Digital Camera
The Leica Q2 is a fixed-lens compact full-frame camera with a 47MP sensor and a Summilux 28mm f/1.7 ASPH prime. Its primary use in wedding photography is as a second body for detail shots, street-style candids during the reception, and environmental portraits. The fixed 28mm focal length forces a specific style — you shoot wider, then crop the 47MP file to compose tighter shots in post without sacrificing resolution.
The leaf shutter is near-silent, making it perfect for ceremony moments when a loud clatter would be disruptive. The DNG raw files give excellent dynamic range for pulling highlight and shadow detail, and the physical aperture ring on the lens allows tactile control without entering menus. The weather sealing protects against dust and light rain, useful for outdoor weddings.
It is not a primary wedding camera — the fixed 28mm lens eliminates versatility, and you cannot switch to a telephoto for the altar close-ups or a macro for the ring stack. As a walking-around body for creative candids or a pocketable backup to your main system, it delivers unique image character that stands out from the clinical sharpness of mainstream brands.
What works
- 47MP sensor allows heavy cropping from the fixed 28mm field of view
- Silent leaf shutter is discreet during the ceremony
- DNG files offer excellent dynamic range for exposure adjustments
- Tactile physical controls keep you in the moment
What doesn’t
- Fixed 28mm lens severely limits event versatility
- No dual card slots — single SD only
- Autofocus system lacks the tracking sophistication of modern mirrorless bodies
- High price for a camera that cannot be your primary event body
10. Nikon D500 DX-Format Digital SLR with 16-80mm ED VR Lens
The D500 is a crop-sensor DSLR with 153 AF points (99 cross-type) and 10 fps continuous shooting. It was originally designed for sports and wildlife, but its fast focus and deep buffer of 200 frames per burst make it excellent for high-energy wedding receptions where the action is unpredictable. The Multi-CAM 20K autofocus module tracks subjects across the frame with remarkable persistence.
The included 16-80mm f/2.8-4 ED VR lens provides an effective focal range of 24-120mm in full-frame terms, covering wide group shots through tight portraits. The tilting touchscreen LCD helps with low-angle shots, and the built-in Wi-Fi and Bluetooth allow quick social media sharing. The 4K UHD 30fps video is dated compared to modern mirrorless options, but serviceable for short clips.
It runs on the EN-EL15 battery platform, which delivers about 1,200 shots per charge — excellent endurance for long wedding days. The DX crop factor means you get more reach from telephoto lenses, which is useful for capturing ceremony moments from the back of the venue. The sensor can have an oil-spot issue over time, so regular cleaning is necessary.
What works
- 153-point AF system with excellent subject tracking
- 10 fps burst with buffer holding 200 frames
- 24-120mm equivalent focal range with included lens
- Excellent battery life for all-day coverage
What doesn’t
- DX sensor limits low-light performance compared to full-frame
- Video features are basic compared to mirrorless alternatives
- Oil on sensor issue known to this model generation
11. Nikon D7500 DX-Format DSLR with AF-P 18-55mm + 70-300mm Bundle
The D7500 bundle includes the 20.9MP DX-format body plus both the 18-55mm f/3.5-5.6 VR and 70-300mm f/4.5-6.3 lenses, giving a new wedding shooter everything needed to cover a ceremony from wide establishing shots to telephoto altar detail. The 51-point AF system covers a smaller area than the D500, but the EXPEED 5 processor keeps acquisition snappy in good light.
It shoots 8 fps continuous with a buffer of 100 JPEGs, adequate for posed group shots and the walk down the aisle but not deep enough for rapid action sequences. The native ISO range reaches 51,200 with expansion to 1,640,000, but practical quality tops out around ISO 6,400 for acceptable noise levels. The 3.2-inch tilting touchscreen is useful for overhead cake table shots.
The bundle includes a tripod, flash, filter kit, and bag — most of these accessories are basic and will need upgrading for professional work, but they provide start-up coverage. This is an entry-level kit for aspiring wedding shooters who need one box solution and are willing to learn on a capable DSLR platform before investing in premium full-frame gear.
What works
- Complete kit with two lenses covers wide to telephoto range
- 8 fps burst with decent buffer for standard event sequences
- Tilting touchscreen aids creative angle composition
- Good battery life for a full day of shooting
What doesn’t
- Variable aperture kit lenses struggle in dim reception settings
- No dual card slots — single SD is a risk for paid work
- Included tripod and bag are low quality and disposable
12. Canon EOS 5D Mark IV Full-Frame Digital SLR Body (Renewed)
This renewed 5D Mark IV offers a proven full-frame 30.4MP sensor and the 61-point AF system with 41 cross-type sensors. For shooters on a reduced budget who need full-frame depth of field and high ISO performance, this body delivers professional-grade stills that have covered countless weddings over the past decade. The 7 fps continuous shooting is slow by today’s standards but adequate for planned compositions.
The dual card slots (CF and SD) give you backup recording, and the built-in GPS geotags images for location reference. The optical viewfinder provides clear, lag-free composition that many veteran wedding photographers still prefer. The EF lens mount gives access to the largest lens ecosystem ever built, with high-quality affordable used glass available everywhere.
The renewed body condition varies — some units arrive with low shutter counts and near-mint bodies, others show wear. The lack of modern autofocus features like eye detection and the heavy DSLR body are the main drawbacks. If you prefer the optical viewfinder workflow and want full-frame quality at an entry-friendly price, this body is worth considering.
What works
- 30.4MP full-frame sensor delivers excellent stills quality
- Dual card slots for simultaneous backup
- Huge EF lens ecosystem with affordable used options
- Optical viewfinder provides lag-free composition
What doesn’t
- 7 fps burst is slow for fast action sequences
- No eye-detection AF or mirrorless tracking advantages
- Renewed condition can vary — inspect shutter count carefully
- Heavy body compared to modern mirrorless options
13. Fujifilm X-T30 III Mirrorless Camera with XC13-33mm Lens Kit
The X-T30 III is a compact APS-C mirrorless camera with 26.1MP resolution and 425 phase-detection points. It is not a primary wedding body — its single SD slot and no IBIS make it risky for paid event work — but its 20 built-in film simulations deliver gorgeous JPEGs with skin tones that need almost no editing, making it an excellent second camera for candids and detail shots.
The AI-powered subject detection autofocus works well for human faces, and the retro design with physical dials provides an intuitive shooting experience. The included XC 13-33mm f/3.5-6.3 OIS lens covers wide to standard focal lengths, and the compact body fits easily into a jacket pocket alongside your main system.
Battery life is the primary issue — each charge lasts roughly 380 shots with the battery included, and the charger is sold separately, so you need an external charger and spare batteries. For a wedding shooter who already owns a professional body and wants a portable, fun camera for reception candids that produce share-ready images straight out of camera, this is a strong pairing.
What works
- 20 Film Simulations deliver beautiful skin tones with zero editing
- Compact and lightweight design fits easily as a secondary body
- 425-point phase-detect AF locks onto faces reliably
- AI subject detection enhances autofocus tracking
What doesn’t
- Single SD card slot is not acceptable for primary wedding photography
- No in-body image stabilization — relies on lens OIS only
- Battery drains quickly and charger not included
Hardware & Specs Guide
Sensor size and file resolution
Full-frame sensors (36x24mm) dominate wedding work because they offer better high-ISO noise performance and shallower depth of field. APS-C sensors like the one in the Nikon D500 or Fujifilm X-T30 III deliver a 1.5x crop factor that extends telephoto reach but sacrifices background separation. Resolution between 24MP and 45MP determines how much you can crop: 24MP files are faster to edit, while 45MP frames give you flexibility for large album prints and composition reframing.
Autofocus phase-detect coverage
Phase-detect autofocus points are arranged in a grid pattern on the sensor. The density of points (from 51 on entry bodies to 1,053 on the Canon R5) determines how accurately the camera can follow a subject moving across the frame. For wedding work, look for at least 90% frame coverage with human eye detection that works down to EV -4 or EV -5, which is typical for dim church lighting.
Buffer depth and card slot strategy
Buffer depth is measured in consecutive raw frames before the camera slows down. A body with 50+ raw buffer depth at 10 fps lets you capture the kiss and toss sequences without interruption. Dual card slots are non-negotiable — always set them to simultaneous recording (Slot 1 backup to Slot 2) so a single card failure does not lose the couple’s entire day. CFexpress cards offer the fastest write speed for clearing the buffer.
In-body stabilization and lens compatibility
IBIS shifts the sensor to compensate for hand shake and provides between 5 and 8 stops of stabilization depending on the body. This lets you shoot at 1/8 sec to 1/15 sec for static reception shots without a tripod. Lens-based optical stabilization (OIS) adds to IBIS in some systems for even smoother handheld video. For adapted lenses — like using Nikon F-mount glass on a Z body — check that the adapter retains electronic communication for aperture and stabilization control.
FAQ
Is 24MP enough resolution for professional wedding albums?
Why must I have dual card slots for wedding photography?
Does mirrorless autofocus outperform DSLR for wedding work?
What is the minimum burst speed I need for wedding photography?
Final Thoughts: The Verdict
For most users, the camera to shoot weddings winner is the Canon EOS R6 Mark II because it balances fast 40 fps burst speed, reliable Dual Pixel AF II, and excellent low-light performance in a weather-sealed body with dual card slots — everything a working pro needs for a full day of coverage. If you want maximum resolution for cropping and large album prints, grab the Canon EOS R5 with the RF24-105mm F4 L. And for video-heavy workflows that demand unlimited recording without overheating, nothing beats the Panasonic LUMIX S5IIX.